Amber Valletta by Craig McDean for Vogue Italia March 2011

Posted by · Mar 10th, 2011 · 2011, Amber Valletta, Craig McDean, Editorial, Edward Enninful, Vogue Italia ·

Amber Valletta shows duality for the March edition of Vogue Italia sporting both brunette and blonde locks. Photographed by Craig McDean with styling by Edward Enninful, Amber dons a wardrobe of elegant wares from the likes of Louis Vuitton, Miu Miu and Fendi in the cinematic spread.

See the behind the scenes film on Vogue Italia










  • http://acasadava.blogspot.com A Casa da Vá

    The whole editorial piece is amazing, love every bit of it! Starting from the fabulous clothes and make up, but men the hair dos are just TOO perfect!

  • Linda

    I know we’ve seen a lot of retro editorials, but I still love this!
    The hair and the make-up are perfect and the photography is nice and clean.

  • http://iiiinspired.blogspot.com/ szucs

    love it! especially the colored ones, those are just perfect in color and in composition too.

    xoxo
    agnes

    http://iiiinspired.blogspot.com/
    http://agnesszucs.blogspot.com/

  • http://www.grantyoshino.com Grant Yoshino – Photographer

    classic and absolutely stunning..

  • http://www.grantyoshino.com Grant Yoshino – Photographer

    classic and absolutely stunning..

  • Yaara

    Who’s dress is the one on top of the page? It’s beautiful!

  • Yaara

    Who’s dress is the one on top of the page? It’s beautiful!

  • Selenag21

    Why can’t they be more creative? Tired of people copying the 60s all the time.

  • Selenag21

    Why can’t they be more creative? Tired of people copying the 60s all the time.

  • Selenag21

    Why can’t they be more creative? Tired of people copying the 60s all the time.

  • memorexe

    It’s cool. And Cindy Sherman-esque. Again.

  • memorexe

    It’s cool. And Cindy Sherman-esque. Again.

  • memorexe

    It’s cool. And Cindy Sherman-esque. Again.

  • http://www.facebook.com/dennison.bertram Dennison Bertram

    I like it! Anyone else notice on the picture where she is lying on the shag carpet, that the carpet has been pretty obviously retouched with the clone stamp? Around the edges the texture repeats itself quite a bit.

    • tina.l

      interesting that is what you take away from the story!! go in a spot the difference competition!! who cares!

      • http://www.facebook.com/dennison.bertram Dennison Bertram

        Photographers care I’m sure. And I’m sure photographers noticed it immediately. As would Art Buyers, Collectors, Stock Agencies and post-production people. Retouchers are also an important part of the process, just like stylists and photographers. If the stylist messed up one look I’m sure someone would call that out, wouldn’t they? Just because you don’t notice the work of retouchers most of the time is a testament to how good they are at doing it.

    • http://twitter.com/StephenDimmick1 Stephen Dimmick

      REALLY!?!?!?! Who gives a fuck about clone stamp. This story is STUNNING. Retouching has been around since the 1920′s… MOVE ON!!!

    • http://twitter.com/SelfportraitGrl Trista Emlet

      I think you’re absolutely right. It looks terrible. As an amateur photographer myself, I expect much more from professionals. I’m sure they’re probably just counting on people who know nothing about photography to not even notice.

  • http://www.facebook.com/dennison.bertram Dennison Bertram

    I like it! Anyone else notice on the picture where she is lying on the shag carpet, that the carpet has been pretty obviously retouched with the clone stamp? Around the edges the texture repeats itself quite a bit.

  • coolit.

    helloooooooo REPULSION. the movie – i’m certainly not repulsed! definitely an influence for this editorial. YEY!

  • Kirkmon8404

    Very nice. Makes me think of Paris in the 50′s

  • http://whycantmybestfriendbeme.blogspot.com/ Anita Siraki
  • http://whycantmybestfriendbeme.blogspot.com/ Anita Siraki
  • http://whycantmybestfriendbeme.blogspot.com/ Anita Siraki