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Sweet Lindsey – Lindsey Wixson is all natural for the winter cover shoot of Muse Magazine. Styled by Sara Moonves, Lindsey wears relaxed silhouettes in Will Davidson’s sun-drenched portraits. Mussed hair by Shay Ashual and barely there makeup by Pep Gay complete the natural look.
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Madame X – Kendra Spears hits the New York City streets in Mariano Vivanco’s alluring portraits taken for the winter edition of Muse Magazine. Outfitted by Beth Fenton, Kendra sports a wardrobe of great outerwear and daytime looks from the likes of Christian Dior, Jil Sander, Salvatore Ferragamo and Lanvin. / Hair by Fernando Torrent, Makeup by Maud Laceppe
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Fire & Ice – Alessandra Ambrosio sheds Victoria’s Secret glam for an androgynous futuristic look featured in the winter cover shoot of Muse. Photographed by Chad Pitman and styled by Melissa Rubini, Alessandra plays the role of sleek vixen in the designs of Balenciaga, Chloe, Balmain, Celine and many more. The Brazilian model’s transformation is complete with multi-colored bobs and otherworldly makeup.
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The Apartment – Australian actress Rose Byrne takes a stab at modeling with Will Davidson’s cinematic portraits for the fall edition of Muse Magazine. In the solitude of an empty apartment, Rose sports classic looks from labels such as Prada, Stella McCartney and Dolce & Gabbana styled by Zoe James. Loose curls by Shon and dewy makeup by Sally Branka complete the elegant vibe.
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One From the Heart – Doutzen Kroes continues her return to high fashion with a cover story in Muse Magazine’s fall issue photographed by Lachlan Bailey. Sporting form-fitting knits and skirts from the likes of Givenchy and Jil Sander styled by Clare Richardson, Doutzen gets a day out on the beach. With windswept hair by Diego Da Silva and a red lip by Rosemary Swift, Doutzen plays the role of aloof stunner well in Bailey’s stunning images.
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Edie’s Day Out – Tim Barber captures Edie Campbell as she takes a trip throughout the city for the fall issue of Muse Magazine. Styled by Susan Winget in sixties inspired ensembles, Barber’s images evoke a candid sensibility as Edie moves from park bench to ferry.
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