
Daiane Conterato is a elegant beauty in sweeping gowns for the December issue of Elle Brazil. Photographed by Bob Wolfenson and styled by Susana Barbosa, Daiane wows in seven dramatic looks for the stunning black and white series.


Designer Woman – How do you power dress for the new millennium? The latest issue of The Block appears to have the answer with Nagi Sakai’s story of casual business attire donned by Daiane Conterato. Outfitted by Jennifer Patryn, Daiane models a wardrobe of pencil skirts, patterned tops and oversize accessories. Hair by Tuan Anh Tran, Makeup by Munemi Imai

Daiane Conterato is a elegant beauty in sweeping gowns for the December issue of Elle Brazil. Photographed by Bob Wolfenson and styled by Susana Barbosa, Daiane wows in seven dramatic looks for the stunning black and white series.

When it comes to couture, the first images that usually come to mind are over the top glam and decadence, but for Zoo’s latest issue, the German publication goes in a more intimate direction with the help of photographer Laetitia Negre. Starring cover girl Daiane Conterato styled by Lotta Aspenberg, Haute Couture looks from the likes of Jean-Paul Gaultier, Ellie Saab and Valentino take center stage in the solitary settings of vacant rooms and open courtyards in the nontraditional spread.

Zoo Magazine puts its own twist on fall Haute Couture with their autumn cover featuring Daiane Conterato. Photographed by Laetitia Negre and styled by Lotta Aspenberg, the Brazilian model graces the cover in an Atelier Versace gown paired with Julius arm pieces and a Fleet Ilya belt.

Lensed by KT Auleta, the urban streets serve as the perfect backdrop to Codes Combine’s fall 2010 campaign. Starring Daiane Conterato, Darya Kurovska and male model Lyle Lodwick, the trio strolls the pavement in the Korean label’s graphic and bold designs.

Stylist Wiebke Bredehorst gives us pure class with just the right amount of drama for this recent editorial in German Tush. Photographed by Marcus Ohlsson, Daiane Conterato puts her best face forward in “Der Neue Schnitt” (The New Cut).
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