Prada Fall 2010 Campaign | Angela Lindvall & Miranda Kerr by Steven Meisel

Joanna Elizabeth

/

Published July 1, 2010

/

Updated March 9, 2017

Despite being a campaign of many models, the absolute standout of Prada’s fall advertisements is Angela Lindvall. Surrounded by the moody crowd of Daria Strokous, Valerija Kelava, Miranda Kerr and others, Angela sings her heart out in front of Steven Meisel’s lens as she dons the brand’s kitsch dresses and accessories.















Recent Updates

Balmain-Spring-Summer-2025-Campaign

Laetitia Casta Leads Balmain’s Spring 2025 Ad

Balmain enlists French icon Laetitia Casta as the face of its spring-summer 2025 campaign. Captured by Juergen Teller under the ...
Hermes-Spring-Summer-2025-Campaign

Hermès Spring 2025 Campaign is Walking On a Dream

Hermès unveils its spring-summer 2025 campaign with striking visuals that merge fashion with surreal artistry. Titled “The Endless Line,” the ...
Victorias-Secret-VS-Archives-Swim

Victoria’s Secret Swim Dives Into Its Archives

Victoria’s Secret is heating things up with its latest limited-edition capsule, VS Archives Swim. The collection, featuring sleek swimwear, is ...
Eva-Mendes-Stella-McCartney

Eva Mendes, Raye Return for Stella McCartney Summer 2025

Stella McCartney’s summer 2025 campaign takes flight with a cast of powerful voices including Eva Mendes, Alex Consani, Myha’la, and ...
Valentino-Spring-Summer-2025

Valentino’s Spring 2025 Campaign is A Luxe Dream

Valentino unveils its spring-summer 2025 campaign, Pavillon des Folies, a theatrical mixture of nostalgia and modernity. Under the creative direction ...
Tory-Burch-Spring-2025-Campaign

Irina Shayk Headlines Tory Burch’s Spring 2025 Ad

Tory Burch takes inspiration from athletic aesthetics for its spring 2025 campaign. The images feature models Irina Shayk, Mona Tougaard, ...

63 thoughts on “Prada Fall 2010 Campaign | Angela Lindvall & Miranda Kerr by Steven Meisel”

  1. I get they were going for a mood, but what's the point if every shot is so completely distracting. Do the bags have to be so prominently in the foreground that the clothes seem completely secondary. But more importantly, it looks like all the couples were shot separately and photoshopped together. Right? Am I crazy?

    • re: the couples, I see that too and it is what bothers me the most about this campaign. The bags look to me as if they were also shot seperately. I suppose the idea was to create depth but instead it all just looks pasted together, ruining any attempt at atmosphere. How disappointing.

    • re: the couples, I see that too and it is what bothers me the most about this campaign. The bags look to me as if they were also shot seperately. I suppose the idea was to create depth but instead it all just looks pasted together, ruining any attempt at atmosphere. How disappointing.

  2. I get they were going for a mood, but what's the point if every shot is so completely distracting. Do the bags have to be so prominently in the foreground that the clothes seem completely secondary. But more importantly, it looks like all the couples were shot separately and photoshopped together. Right? Am I crazy?

    • re: the couples, I see that too and it is what bothers me the most about this campaign. The bags look to me as if they were also shot seperately. I suppose the idea was to create depth but instead it all just looks pasted together, ruining any attempt at atmosphere. How disappointing.

  3. Miranda Kerr has never stroked me as editorial material. This shoot kind of clarifies it for me.

    The lighting and set up is pretty amazing.

  4. Miranda Kerr has never stroked me as editorial material. This shoot kind of clarifies it for me.

    The lighting and set up is pretty amazing.

  5. Miranda Kerr has never stroked me as editorial material. This shoot kind of clarifies it for me.

    The lighting and set up is pretty amazing.

  6. Some of the models/couples look like they were photoshopped in. Something about the disparity of the lighting bothers me…

  7. Some of the models/couples look like they were photoshopped in. Something about the disparity of the lighting bothers me…

  8. Should have used Joanna Cole she exudes classy confidence better than any of these girls, imo

  9. Should have used Joanna Cole she exudes classy confidence better than any of these girls, imo

  10. Should have used Joanna Cole she exudes classy confidence better than any of these girls, imo

  11. Miranda Kerr is completely invisible. She's not even TRYING. She fails as an editorial model. Its just a sad waste, really.
    She should go back to Teen Vogue + VS.

  12. Miranda Kerr is completely invisible. She's not even TRYING. She fails as an editorial model. Its just a sad waste, really.
    She should go back to Teen Vogue + VS.

  13. Miranda Kerr is completely invisible. She's not even TRYING. She fails as an editorial model. Its just a sad waste, really.
    She should go back to Teen Vogue + VS.

  14. dont like miranda here she's not prada material for me
    agree is very distracting i dont even know what to look at here, beautiful clothes and valerija!

  15. dont like miranda here she's not prada material for me
    agree is very distracting i dont even know what to look at here, beautiful clothes and valerija!

  16. dont like miranda here she's not prada material for me
    agree is very distracting i dont even know what to look at here, beautiful clothes and valerija!

  17. whenever I see Miranda Kerr I immediately think VS not prada. I kinda have mixed feelings about this campaign

  18. whenever I see Miranda Kerr I immediately think VS not prada. I kinda have mixed feelings about this campaign

  19. These are pretty weirdly shot. I know that this is the typical Prada style of photography, yet just something…ugh, I don’t know. With these clothes, and the setting, and the intended mood, and just…everything about the concept, the lighting and all-over sharpness and color scheme is just WRONG. Speaking on purely aesthetic terms, this really bothers me. It’s all so fake, and not in a conceptually interesting way, in a cheap way that doesn’t seem intentional.

    On the other hand, Clement Chaubernaud is fine as hell.

  20. These are pretty weirdly shot. I know that this is the typical Prada style of photography, yet just something…ugh, I don’t know. With these clothes, and the setting, and the intended mood, and just…everything about the concept, the lighting and all-over sharpness and color scheme is just WRONG. Speaking on purely aesthetic terms, this really bothers me. It’s all so fake, and not in a conceptually interesting way, in a cheap way that doesn’t seem intentional.

    On the other hand, Clement Chaubernaud is fine as hell.

  21. These are pretty weirdly shot. I know that this is the typical Prada style of photography, yet just something…ugh, I don’t know. With these clothes, and the setting, and the intended mood, and just…everything about the concept, the lighting and all-over sharpness and color scheme is just WRONG. Speaking on purely aesthetic terms, this really bothers me. It’s all so fake, and not in a conceptually interesting way, in a cheap way that doesn’t seem intentional.

    On the other hand, Clement Chaubernaud is fine as hell.

  22. The whole concept seems really awkward. The 50s/60s housewife inspired clothes with a beatnik underground scene? So wrong.
    Plus the photoshopping and colour tone make it very stiff and forced – and not in a quirky or ironic way.

  23. The whole concept seems really awkward. The 50s/60s housewife inspired clothes with a beatnik underground scene? So wrong.
    Plus the photoshopping and colour tone make it very stiff and forced – and not in a quirky or ironic way.

  24. The whole concept seems really awkward. The 50s/60s housewife inspired clothes with a beatnik underground scene? So wrong.
    Plus the photoshopping and colour tone make it very stiff and forced – and not in a quirky or ironic way.

  25. I adore this. Kinda sexual, but yet tamed, and I could care less for Miranda, she is not editorial material at all, proven here once and for all.

  26. I adore this. Kinda sexual, but yet tamed, and I could care less for Miranda, she is not editorial material at all, proven here once and for all.

  27. I adore this. Kinda sexual, but yet tamed, and I could care less for Miranda, she is not editorial material at all, proven here once and for all.

  28. i really do not like this. i get where they are trying to go for but i just dont feel it. i dont feel the mood at all

  29. i really do not like this. i get where they are trying to go for but i just dont feel it. i dont feel the mood at all

  30. i really do not like this. i get where they are trying to go for but i just dont feel it. i dont feel the mood at all

Comments are closed.