Laetitia Casta by Michelangelo di Battista for Elle France July 2011

Joanna Elizabeth

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Published July 11, 2011

In the RedLaetitia Casta is looking red hot for the July 1st issue of Elle France. Captured by Michaelangelo di Battista (Management Artists) in a woodsy setting fit for film, Laetitia remains as stunning as ever with this sensually elegant story.








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16 thoughts on “Laetitia Casta by Michelangelo di Battista for Elle France July 2011”

  1. This looks like a model test….Red and green contrasting really? wow. like total opposites of the color wheel……..

    • I totally can see why you would say that, it seems to me as if they forgot to bring the Hair and Make-up people along.  And there aren’t any credited.  I get that she should be “natural”, but the clothes she’s wearing aren’t, so that idea doesn’t work…  just my opinion.  I mean, they could have at least done her nails…

    • I totally can see why you would say that, it seems to me as if they forgot to bring the Hair and Make-up people along.  And there aren’t any credited.  I get that she should be “natural”, but the clothes she’s wearing aren’t, so that idea doesn’t work…  just my opinion.  I mean, they could have at least done her nails…

    • Didn’t you learn about the colour wheel in school? Opposite colours are complimentary to each other, which is precisely why red and green look so good together.

  2. This is incredible, the best ‘red’ themed shoot I’ve seen alongside Camilla Akrans/Eniko Mihalik shoot. Letitia the erotic wood nymph. By no means does it seem like a model test…

  3. The second and last picture are awkward…but other then that, she looks stunning and the photo’s are gorgeous. 

  4. The second and last picture are awkward…but other then that, she looks stunning and the photo’s are gorgeous. 

  5. The second and last picture are awkward…but other then that, she looks stunning and the photo’s are gorgeous. 

  6. The second and last picture are awkward…but other then that, she looks stunning and the photo’s are gorgeous. 

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