Tati Cotliar by Andrea Spotorno for Ten Magazine Summer 2010

Joanna Elizabeth

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Published June 28, 2010

Couture takes to streets with this latest story from Ten Magazine‘s summer edition. Starring Valentino girl Tati Cotliar (Next) and styled by Jodie Barnes, Tati roams anywhere and everywhere in looks from Elie Saab, Christian Dior and of course, Valentino, under the gaze of Andrea Spotorno.









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    76 thoughts on “Tati Cotliar by Andrea Spotorno for Ten Magazine Summer 2010”

      • I agree. Something about it feels like a test. Maybe its the fact that the photos are off center, or that it looks like Tati did the hair/makeup herself. I understand where they were going with this. It feels unconventional, but sacrifices professionalism. There were probably better shots.

      • I agree. Something about it feels like a test. Maybe its the fact that the photos are off center, or that it looks like Tati did the hair/makeup herself. I understand where they were going with this. It feels unconventional, but sacrifices professionalism. There were probably better shots.

      • I agree. Something about it feels like a test. Maybe its the fact that the photos are off center, or that it looks like Tati did the hair/makeup herself. I understand where they were going with this. It feels unconventional, but sacrifices professionalism. There were probably better shots.

    10. Haha the last shot just kind of jumps out in a slightly terrifying way. I'm not feeling this, I agree that it sacrifices professionalism.

    11. Haha the last shot just kind of jumps out in a slightly terrifying way. I'm not feeling this, I agree that it sacrifices professionalism.

    23. The dior and elie saab were beautiful shots, but the rest looked like she was playing dress up with her mum’s (very expensive) clothes. and I like the frame of elie saab shot, I can imagine living in my paris apartment over looking paris!

    24. The dior and elie saab were beautiful shots, but the rest looked like she was playing dress up with her mum’s (very expensive) clothes. and I like the frame of elie saab shot, I can imagine living in my paris apartment over looking paris!

    32. yuck.. snap shot for the sake of snapshot is not aesthetic, its not like Jurgen railing against gloss… this is just sloppy and ugly..

    33. yuck.. snap shot for the sake of snapshot is not aesthetic, its not like Jurgen railing against gloss… this is just sloppy and ugly..

    34. yuck.. snap shot for the sake of snapshot is not aesthetic, its not like Jurgen railing against gloss… this is just sloppy and ugly..

    35. yuck.. snap shot for the sake of snapshot is not aesthetic, its not like Jurgen railing against gloss… this is just sloppy and ugly..

    36. if you think about what fashion photography is trying to achieve, highlighting the clothes, it is successful. So many editorials look like portrait sessions for the model. That's not what it's about. Look at the photos again, concentrating on the pieces, not the girl.

    37. if you think about what fashion photography is trying to achieve, highlighting the clothes, it is successful. So many editorials look like portrait sessions for the model. That's not what it's about. Look at the photos again, concentrating on the pieces, not the girl.

    38. if you think about what fashion photography is trying to achieve, highlighting the clothes, it is successful. So many editorials look like portrait sessions for the model. That's not what it's about. Look at the photos again, concentrating on the pieces, not the girl.

    39. if you think about what fashion photography is trying to achieve, highlighting the clothes, it is successful. So many editorials look like portrait sessions for the model. That's not what it's about. Look at the photos again, concentrating on the pieces, not the girl.

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